I Can't Hold Out by Eric Clapton

The 1974 LP, 461 Ocean Boulevard, was a comeback project for Eric Clapton, having successfully entered recovery from his cocaine addiction. The first track, Motherless Children, comes screaming at you with an insane and loud guitar riff. Though Clapton goes through many musical moods on 461, from the slowly soulful Christian-themed confessional Give Me Strength to the poppy I Shot the Sheriff, the quality never lets up. To this day, it remains one of my favorites.

This is an old, and a bit racy, Elmore James tune, Clapton once again giving homage to his beloved blues. I say it's "a bit racy." But even by 1974 standards, the tune was tame, slightly suggestive but still G-rated. Like an old Looney Tunes cartoon, you could play this song in front of your kids without clamping your hands on their ears. (Contemporary artists seem to have lost this knack. James displays it in I Can't Hold Out.)

Clapton, who has always disdained his own voice, delivers on this entire LP and, as always, his guitar work is second to none.

Yer Blues by John Lennon

...with Eric Clapton, Keith Richards, and Mitch Mitchell. (Quite a line-up!)

The song, of course, is one that originally appears on The Beatles White Album.

If I ain't dead already
Ohhh girl you know the reason why

Man, can Clapton play!

Wonderful Tonight by Eric Clapton

Something by Paul McCartney, Jeff Lynne, Eric Clapton, & a Cast of Thousands

At the Concert for George, George Harrison's friends and collaborators sing one of his contributions to the Beatles' catalog.

Heart of Gold by Neil Young

This video starts out uncomfortably and ends stunningly.

It's 1971. Neil Young is performing live. In the midst of the show, he rummages around in his pockets for a harmonica, an instrument he's only recently begun playing.

This is a guy who's already experienced great professional success. His fumbling around would today be seen as an unprofessional waste of the audience's time. We seem to have lost touch with how endearing being real can be.

Another element of what happens before Young dives into the song is his near apology for how weird it must be for the audience to hear "these new songs." The impatience of audiences with artists performing new songs is nothing new. Old success can be a straight jacket for artistic exploration.

In a recent interview on BBC radio, Paul McCartney--incidentally, inducted into the Rock and Roll Hall of Fame by Neil Young--talked about what it's like to sing an old Beatles or early McCartney solo classic before a packed arena. Everywhere, he said, there are flashes from cameras and cell phones ablaze. But when he introduces a new song, the arena becomes a "black hole."

McCartney has the same sympathy for audiences wanting to hear the classics that Young seems to voice here. People save up a lot of money to come to a concert, McCartney says, and if he were to attend a concert by the Rolling Stones, he too, would have certain songs he would expect.

Still, I admire artists who challenge both themselves and their audiences by trying on new or unexpected material in live concerts.

The bravest example of this I've ever seen came from Eric Clapton at a sold-out show in Cincinnati some years ago. "If you came here tonight to hear the pop hits," Clapton said, referring to almost his entire musical catalog. "This is a blues show."

The disappointment among what seemed like a majority who hadn't known that this was a blues tour was almost palpable. But over the course of a unique show that seemed to add instruments and volume with each song--starting out acoustically and moving toward a screaming finish--Clapton won everybody over. Even me. I knew it was a blues show when I went and I'm not that into blues, but a friend had gotten my ticket for me. That was the only reason I'd gone. But when I left, I was glad I had. It was, I think, a satisfying night for artist and audience.

So, back to the video at hand. After fumbling around for the right harmonica and tuning it, Young, in this 1971 clip, plays the simple intro to Heart of Gold. The tune, the arrangement, and the voice are simple but arresting. And a classic is ushered into the world.

'Why Does Love Got to Be So Sad?' by Eric Clapton

This is one of a number of songs written by Eric Clapton for his former wife (and George Harrison's former wife), Patti Boyd. Other Clapton tunes inspired by Boyd are Layla and Wonderful Tonight. Harrison's most famous paean to Boyd is Something.

Why Does Love Got to Be So Sad? exemplifies a genre of tunes I call sad longing songs. Despite that, the song manages to somehow be jubilant, if a bit overlong. I suppose that's true to the experiences attested to by sad longing song: There's jubilation in love, sadness when it can't flower or be expressed. That makes this song a kind of resigned, wondering, and yet, jubilant celebration of love's entry into one's life, even love that can't be. Unrequited love can be exhilarating and shattering at the same time, though it makes no sense that that should be the case. At least that's what this song seems to say.

Clapton originally recorded Why Does Love Got to Be So Sad? in 1970, while he was a member of Derek and the Dominos.

This is a live version recorded by him in 2009.

It wasn't Eric Clapton who called Phil Keaggy his favorite guitarist...

...it was Jim Hendrix. The "urban legend" always had Clapton saying this. But Hendrix's view is high praise, too. Having heard both Keaggy and Clapton live, I can say that they're both great.

How to Keep Our Mouths Under Control (Or, Getting Free of Being a Gossip)

[This was shared during worship with the people of Saint Matthew Lutheran Church in Logan, Ohio, earlier today.]

James 3:1-12
A true story, one told by a pastor, Rick Eshbaugh. One evening, he was alone with his kids, while his wife was out crafting porcelain dolls at a doll-making class. While he chatted with a neighbor on his front porch, the telephone rang. Eshbaugh’s son, Craig, then five years old, answered. “I was proud to hear Craig answer the phone promptly and politely,” he says. “[But] My pride [turned into embarrassment] as I heard my son’s response to the caller’s request to speak to my wife: ‘No [Craig said], my mom’s not here. She’s out making a baby. But my dad is here if you want to talk to him.’”

Over the past several weeks, our second Bible lessons have been drawn from the New Testament book of James. James is a book that challenges us to consider how we live out our faith in Jesus Christ, particularly within God’s only eternal family, the Church.

In today’s second lesson, James addresses a very practical issue for Christians and the Church: How we use the gift of communication and speech. Or, how we use our tongues, as James would put it.

James was appalled at how Christians could use their mouths to praise God in worship one moment, pray to God for blessings the next, and then use those same mouths to run down other people who, just like us, are made in the image of God and for whom, also just like us, Jesus died and rose.

James isn’t concerned with the innocent mistakes made by people like little Craig Eshbaugh when he told a caller that his mom was making babies nor was he talking about the things we say that emanate from innocent ignorance.

Instead, James is talking about the deliberate use we make of speech that rips people down, that passes on gossip, that lifts us up at the expense of others, or that hurts the fellowship of the Church in which Jesus commands us to love one another as He has loved us. In short, James addresses speech that dishonors God.

He minces no words about the destruction wrought by our words or where their destructive power comes from.

And he says that without personal surrender to Jesus Christ, the use of our speech will always be more reflective of hell than of heaven. Listen to some of what James says, as his words are rendered in the translation of the Bible known as, The Message:

We get it wrong nearly every time we open our mouths. [I certainly can identify with that!] If you could find someone whose speech was perfectly true, you'd have a perfect person, in perfect control of life.

A bit in the mouth of a horse controls the whole horse. A small rudder on a huge ship in the hands of a skilled captain sets a course in the face of the strongest winds. A word out of your mouth may seem of no account, but it can accomplish nearly anything—or destroy it!

It only takes a spark, remember, to set off a forest fire. A careless or wrongly placed word out of your mouth can do that. By our speech we can ruin the world, turn harmony to chaos, throw mud on a reputation, send the whole world up in smoke and go up in smoke with it, smoke right from the pit of hell.

This is scary: You can tame a tiger, but you can't tame a tongue—it's never been done. The tongue runs wild, a wanton killer. With our tongues we bless God our Father; with the same tongues we curse the very men and women he made in his image. Curses and blessings out of the same mouth! My friends, this can't go on.

In Medieval times, a woman visited a monk. He was a man admired for giving holy, sensible advice. The woman realized, she said, that she had become a terrible gossip, the purveyor of hurtful words. She wondered what she should do.

The monk told her to go through the village and bag all the goose feathers she could find. Then, she should lay a feather at the doorstep of every person about whom she had gossiped. After that, she should return to the monk.

The woman dutifully did what the monk directed her to do and returned to him. The monk said, "That's great. Now go back to each of those doorsteps and collect the goose feathers you left behind. Then, come back here." When the woman returned for yet another visit to the monk, she reported that all the feathers had been blown away by the wind.

"That’s the point, of course," the monk told her. "We can be forgiven the sin of gossiping about others. If you repent for it, God surely will forgive you. Those you have violated may do the same. But no matter whether you are forgiven or not, the damage will have been done. Gossip spreads as though carried aloft by the wind and you can't bring it back. So, be careful about what you say."

When I look at my life, I find that almost every problem I’ve ever experienced has been caused by my unwise speech, words used that denigrated or damaged others, words that told half-truths, words that conveyed hurtful speculation about the character or motives of others. I’ve repented for those things. But I realize that the damage done, like a bell that can’t be unrung, can never be reversed.

In his explanation of God’s Eighth Commandment, “You shall not bear false witness against your neighbor,” Martin Luther writes in The Small Catechism, “We are to fear and love God so that we do not betray, slander, or lie about our neighbor, but defend him, speak well of him, and explain his actions in the kindest way.” Not only are we not to lie about others, we’re to put the most positive spin on their actions and motives that we can. (And that includes what we say about politicians in Washington you and I will never meet!) If we love the God Who loved us all the way to the cross, we’ll take the call to the right use of our words seriously.

But how do we do that? Here are a few thoughts from one recovering mis-user of speech to another.

First: We surrender our brains and our mouths to God, along with the rest of us. A good prayer to offer each day might be the one in Psalm 119:14: “Let the words of my mouth and the meditation of my heart be acceptable to you, O Lord, my rock and my redeemer.”

Second: Before we open our mouths to share something critical of another, we should ask ourselves, “Does this help anything?” In the book of Ephesians, we read these words: “Let no evil talk come out of your mouths, but only what is useful for building up, as there is need, so that your words may give grace to those who hear.” (Ephesians 4:29)

Third: We ask ourselves another question: Would we say these words to Jesus Christ? In a very real way, whether our words build others up or tear them down, Christ hears every one of them. As Jesus once said, “There is nothing concealed that will not be disclosed, or hidden that will not be made known.” Jesus has said that when we encounter others, we really meet Him. Do we think that Jesus wants to hear our gossip?

Finally, I want to say a word to all of you who, like me, have already scattered too many goose feathers to the wind. It can be appropriate for you to apologize to the people who have been hurt by your intemperate words. Although I must say, I don't feel fanatical about this. In my former parish, a woman told me that just the week before, she'd gotten a call from a man she'd dated forty years earlier. He wanted to apologize for something she had long forgotten from that period. But what’s most appropriate when we misuse the gift of speech to run others down is to ask God for His forgiveness and for the power to keep our tongues under His control in the future.

Proverbs 22:1 says, “A good name is to be chosen rather than great riches, and favor is better than silver or gold.” Those of us who are saved in the Name of Jesus Christ choose each day whether we will honor Christ’s Name or not by deciding whether we’ll care about the names and the reputations of others as though they bore our own names and reputations.

May we live in such dependence on Christ that we choose Christ’s way by letting Him control our mouths along with the rest of our lives.


[During this morning's adult Sunday School class, as we looked at the text from James, I mentioned the George Harrison song, Devil's Radio. Below is a video of a live performance of the song by Harrison, played during his 1991-1992 tour of Japan with Eric Clapton and band. The video image is slightly out of sync with the sound, but it's a good performance. You can find the lyrics here.]