Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

Thursday, December 28, 2017

The Best Movies About...Being a Pastor?

Althouse links to a Washington Post article that's based on the response of twenty-four people to the question, "What's the best film about your profession?"

That got me to thinking about movies that depict my own work as a pastor.

Film pastors seem mostly to fall into several categories:
  • clueless innocents 
  • fire-breathing moralists (who are unrepentant hypocrites) 
  • sociopaths 
  • money-grubbing manipulators 
  • sexual predators
There are and have been pastors for whom these descriptions fit, of course. But it's odd to see how consistently these stereotypes are portrayed in films and TV shows.

Some of my favorite portrayals of clergy appear in:

1. The Keys of the Kingdom starring Gregory Peck. Peck plays a priest packed off to China as a missionary who remains faithful despite the suspicion among his superiors that he's a failure. Thomas Mitchell plays Peck's spiritually skeptical friend, a relationship that's portrayed without a hint of heavy-handedness or sentimentality.


2. Bishop's Wife with David Niven as the spiritually-struggling bishop. This is one of the best Christmas films of all time. The movie isn't entirely satisfying though, ending with a Christmas Eve sermon that's more American civil religion than it is Christian.


3. Alias Nick Beal, with the aforementioned Mitchell as a district attorney standing off against an evil Ray Milland. George Macready turns in an interesting performance as a clergyperson who helps call a friend who has lost his spiritual compass to account and to renewal. Released in 1948, I had never seen Beal until this year. It's a great film, a seemingly forgotten classic. (The film's title song is an embellishment on Martin Luther's most famous hymn, A Mighty Fortress is Our God.)

4. Luther with Joseph Fiennes in the title role. Martin Luther, of course, was a theological genius, but he was, at heart, a pastor. He was also imperfect. That complexity of character comes across in this movie.


On television, Father Mulcahy of MASH is a variant of the clueless innocent type. Over the course of the series, Mulcahy's character was given greater depth than in the early seasons. (This is the opposite of what was done with Radar O'Reilly, who moved from the early episodes in which he was portrayed as sort of a sly conman to being an Iowa naif.)


[I'm the pastor of Living Water Lutheran Church in Centerville, Ohio.]






Monday, December 18, 2017

TCM's Annual Memoriam for those who passed away in 2017

Among those who meant something  especially to me: Richard Anderson, who played a proud and clueless Army captain on the Zorro the TV show; Mary Tyler Moore, everyone's favorite girl next door in The Dick Van Dyke Show and The Mary Tyler Moore Show, but became an  ice queen out of touch with her grief in Ordinary People; and many others too many to name. Just watch..




[I'm the pastor of Living Water Lutheran Church in Centerville, Ohio.]


Tuesday, August 29, 2017

My Dad, the Romantic

I spoke on the phone with my dad on Monday night. He mentioned that he was watching 'You've Got Mail,' which is one of my favorite movies. As we were talking, dad said things like, "Oh, here's the scene where the elevator gets stuck." And we would talk about the scene.

A bit later, after I'd did an online order for film for dad to use during his upcoming honor flight, he said, "Here's the part where she's got a cold and he comes to visit her at her apartment." "Yeah," I said, "and she's baffled because she can't imagine how he can be a nice guy." "Right."


We talked about how 'You've Got Mail' was a kind of remake of 'Shop Around the Corner,' the 1940 film with Jimmy Stewart and Margaret Sullavan. Dad said, "That one's not as good as this one. It was good for its time. But I like this one better."*


I said something about how much I enjoyed the music and dad said, "Oh, yeah, it's good, really good." That wowed me a bit because it features music by the late Harry Nilsson, who's always been one of my favorites and more of my generation.

We talked some more and, as I prepared to sign off, I apologized for interrupting the movie. "That's OK, Bub," he said, "I practically know it by heart." I thought: I do too.

I had no idea my dad loved that movie as much as I do. In the grand scheme of things, it's just a little surprise, but a nice one. Here I thought I was the only man in the world who liked what some might call chick flicks, romances. My dad does too...he's a romantic, like me. My old man, he's OK.

*One point of disagreement I have with my dad is about the relative merits of the two films. I love them both and couldn't choose which one I like more.

[Blogger Mark Daniels is pastor of Living Water Lutheran Church in Centerville, Ohio.]


Tuesday, July 04, 2017

7 (maybe 8) Movies for the Fourth

When our kids were growing up, we usually tried to spend some time with them reflecting on the meaning of holidays, secular and sacred. Often, that would include watching movies or TV films that helped them to understand that these special days were more than just time off from routine activities or to gorge ourselves.

That was true of the Fourth of July as much as other special days. I find that watching these and other films, along with reading books on American history and the American political system, contribute to my being a more informed and appreciative citizen.

So, in no particular order, some of my favorite movies for conveying a bit what America is, has been, and aspires to be.


1. Mr. Smith Goes to Washington. This classic tells the story of a young midwesterner appointed to fill the unexpired term of a deceased senator. He runs into the corrupt pols of his own state as he upholds constitutional democracy, though. Interestingly, the tool he ultimately uses to take on political corruption is the filibuster, a Senate practice that has often been used to prop up segregation and racism. This movie was controversial when released in 1939. People thought that it portrayed the Senate as crass. But in the end, it upholds the virtue of our constitutional system.


2. John Adams. This Tom Hanks-produced adaptation of David McCullough's majestic and accessible biography of our second president, is simply wonderful. John Adams was always something of a contrarian. But his is the Horatio Alger story of a man of humble beginnings who read and worked his way to greatness, becoming one of the titans of America's founding. This mini-series is worth your time!


3. Lincoln. When I first saw Daniel Day-Lewis portraying Lincoln in the days before his assassination, I drew in breath as though seeing Lincoln himself come to life. From all that I've read about Lincoln through the years, I recognized the accuracy of the actor's portrayal of our sixteenth president: the lumbering stride, the high-pitched speaking voice, the morosity intermingled with hilarity. More than that, I saw the character of the man.

Above all, it's character, the character that knows right from wrong and that learns from experience, that makes great presidents.

Lincoln had to address the gravest constitutional crisis in American history, the Civil War. That conflict was started by rebels who assaulted their own government and countrymen in defense of an immoral institution, slavery.

The movie shows Lincoln as he upheld the principles that, (1) except on sound moral grounds, the Union was and is inviolable and (2) all are created equal.

In turn, it's clear that Lincoln understood the two fundamental principles of American democracy, the source of American exceptionalism: (1) The affirmation of the equality and right to freedom of every human being, which is (2) guaranteed by our mutual accountability under the Constitution and law.

This is an awesome movie!


4. Sergeant York. Yes, it has its historical inaccuracies. Yes, it's filled with stock characters. But, what a movie!


5. Saving Private Ryan. The second of two Spielberg movies on my list (the other is Lincoln), Private Ryan tells the fictional story of a mission designed to rescue a family's last surviving brother after his siblings have been killed in battle. This is more than an homage to what's been called "the greatest generation." The D-Day sequence is, according to many who were there, the most realistic (and the most haunting) portrayal of that battle ever.

This movie is a challenge to all Americans to live up to the sacrifices their forebears made--and not just those who fought in war--to give us our country intact.


6. All the President's Men. Bob Woodward and Carl Bernstein investigate the gravest American constitutional crisis since the Civil War.

The movie affirms what President Ford said on succeeding his disgraced predecessor, Richard Nixon:  "Our Constitution works; our great Republic is a government of laws and not of men."

It also affirms the indispensability of a free press for the proper functioning of the American constitutional system.


7. To Kill a Mockingbird. This poignant film explores the stubborn disgrace of racism in America and the need for people of principle to combat it. The characters are vividly real. The film is an incredible adaptation of what may be the best American novel ever. Children who haven't seen it will love this movie!


8. Finally, watch every episode of the PBS series, The American Experience, that you can. This ambitious series lives up to its name, showing everything about America: the good, the great, the bad, the ugly.

If we and future generations are going to do our parts in fulfilling our constitutional calling of forming "a more perfect union," it's important to know where we've been, the great themes and principles of American democracy, and how this country is worth the effort.

As President Kennedy wrote in the introduction to a multi-volume encyclopedia of American history, which my parents faithfully bought for me each time a new book was issued: "A knowledge of the past prepares us for the crisis of the present and the challenge of the future."

[Blogger Mark Daniels is pastor of Living Water Lutheran Church in Centerville, Ohio. He also has a bachelor's degree in Social Studies from The Ohio State University and had the good fortune of being raised by parents who encouraged an interest in history and the possibilities of America.]


Saturday, May 14, 2016

Last 'Casablanca' Cast Member Dies

Madeleine Lebeau, the last surviving member of the cast of Casablanca, has died at the age of 92. Lebeau played the part of Yvonne, introduced early in the film as a jilted French expat in love with Humphrey Bogart's Rick Blaine.

In a subsequent scene, she walks into Rick's Cafe Americain on the arm of a German soldier. But when an underground leader seeking to flee the clutches of Nazi Germany, Victor Lazlo, played by Paul Henreid, leads the cafe patrons in singing La Marseillaise, Yvonne chokes back tears and reclaims her patriotism.

As such, she foreshadows a similar transformation on the part of Bogart's Blaine. Near the film's end, Claude Rains' police prefect, Captain Louis Renault, remarks, "Rick, you've become a patriot." Says Rick: "It seemed like a good time."

Lebeau's performance was affecting and, according to this piece from deadline.com, the tears she shed during the La Marseillaise scene were genuine. Lebeau, who was Jewish, and her husband fled from France as Nazi Germany occupied and overran their homeland.

She wasn't the only member of the Casablanca cast to know first hand about the savagery and antisemitism of the Nazi regime. Most notable among them maybe, was Conrad Veidt, who played the villainous Major Heinrich Strasser.

Casablanca is one of my favorite movies ever. I rarely pass up the chance to see it when it airs on TCM. Part of it is that the performance of Bogart, my favorite screen actor of all, and his costar, Ingrid Bergman, are perfect. No matter how they felt about each other personally, they convey the deepest poignance as two people who love each other and can never be together. (Though they know that they "will always have Paris.")

But, beyond Bogart and Bergman, the entire film deserves the label classic. The script, the supporting cast, the direction, the music, and the plot all combine to produce a compelling story of people running from a cruel madness, coping often with a cynicism which they drop before the bold idealism of Victor Laszlo.

Lebeau was an old woman when she passed and the world of Casablanca seems as removed from today as the Dark Ages. And yet, the movie continues to stir and people resonate to the astounding performances of Lebeau and all who made this a film worth seeing again and again.

Vive Casablanca!

[Blogger Mark Daniels is the pastor of Living Water Lutheran Church, Centerville, Ohio.]

[Thanks to @The_News_Diva for putting me onto this story.]




Thursday, March 17, 2016

Conventional Animation Bumped Up Many Notches

Conventional animation involves artists creating backgrounds against which characters and objects move. Every move is separately drawn. It's painstaking work.

Such animation has largely been supplanted by computer animation, the best practitioners of which are probably the people at Pixar.

But a project on the life of Vincent Van Gogh, Loving Vincent, is revolutionizing conventional animation. Instead of characters and objects moving against largely unchanging backgrounds, this movie about the painter uses a separately produced painting for each and every frame.

It's an appropriate way to approach Van Gogh's life, the images inspired by his painting style.

And the images shown here are stunning. And since Van Gogh is my favorite painter, I don't think I would be easily stunned.

The project is still in production apparently. I look forward to seeing the finished product.

(And I'm sure that one day, those of you so inclined, will be able to buy selections from among the massive number of individual paintings created for the film.)

Here's a link to more information on Loving Vincent, also containing a slightly longer version of the trailer.

Thanks to the Daily Dot for showcasing this effort over on Facebook. That's how I learned of it.

Thursday, November 27, 2014

'The Lake House'

For a long time now, a friend has told me what a good movie, The Lake House, is, but I've never had the chance to see it. Tonight, I found out it's going to be shown tomorrow afternoon on E! So, I've got my TV set to record it and I look forward to watching tomorrow night.

[UPDATE, 11/29/2014: I watched it this evening and loved it.]

Saturday, November 08, 2014

Is 'Interstellar' Too Loud?

Our son called last night with a glowingly positive review of the new Christopher Nolan-directed epic, Interstellar. It made me mildly interested in the film, which has been promoted like crazy on TV during recent sporting events, because my son and I usually have similar tastes in movies. (We both love classics like Citizen Kane, It's a Wonderful Life, The Maltese Falcon, and Field of Dreams, for example, though I can't for the life of me figure out what he sees in Gladiator.]

But according to Washington Post film critic Anne Hornaday, the film deserves criticism for being too loud. She's not alone, apparently:
By now, audiences eager to see “Interstellar,” Christopher Nolan’s hotly anticipated space epic starring Matthew McConaughey, Jessica Chastain and Anne Hathaway, have heard the word on the movie, which has received mixed-to-positive reviews.

The unanswered question is whether they’ll hear a word in the movie.

In what is becoming a distressingly predictable ritual for Nolan’s movies, “Interstellar” has been dinged in recent weeks by critics and other gadflies for a muddy, thuddingly loud sound design, in which Hans Zimmer’s booming score (he’s all about that bass) and similarly thumping sound effects render spoken dialogue a submerged garble. The sound was “so bassy and woofer-throbby and aimed at my rib cage that I couldn’t hear half the dialogue,” complained Hollywood Elsewhere’s Jeffery Wells after an October screening. “My ears felt left out, not to mention the part of my brain that enjoys hearing words and sentences.”
Movies are frequently louder these days, crowded by frenzied film scores from composers seemingly emulating John Williams' work in the Star Wars franchise. The films are also crowded by frenzied action and often, cartoon-like character development.

I don't know if this is true of Nolan's film, but I do think that Hollywood is in defensive mode, seeing movie audiences continue to shrink as consumers increasingly opt for pulling up the drawbridges around their houses to for in-home entertainments, serving up loud, crowded stews that are more like video games or roller coaster rides than movies. It's as though Hollywood is screaming, "Hey, look at us! There's nothing to see, but we will put you through a buzz saw of sensory overload!"

Interstellar may be a great movie. But I think Hornaday and others raise a good point.

I love cranked up tunes at rock and hip hop concerts and in my car. Sometimes though, I think, all that "loud," along with the visual pyrotechnics, take away from films.

[HT to Instapundit for linking to Hornaday's article.]



Thursday, May 02, 2013

Film Festival Envy

I love classic movies, which means that TCM, the Turner Classic Movies, is one of my favorite destinations on TV. I've wondered what attending the TCM Classic Film Festival would be like. Rachel Stecher attended this year's fest and has fun rundowns for each day posted on her blog, Out of the Past. Just scroll down through her articles and enjoy. The pictures are great too!

It's all enough to give me film festival envy.

Friday, January 04, 2013

Other Than That, What Did You Think of Russell Crowe in 'Les Miserables'?


An old joke has someone asking Mary Lincoln after her husband was assassinated, "Other than that, Mrs. Lincoln, how did you like the play?"

I’ve never cared for the music from Les Miserables and so, have no plans to see it. Our daughter, who has sung the music many times, went to see the film because of that and hated the movie, especially owing to what she saw as its overabundance of gore.

But Taylor Marsh, guest columnist over at The Moderate Voice evidently loves the novel and the musical on which it's based.

His review of Russell Crowe's performance in the blockbuster movie though is, to put it mildly, sharply critical. He says that Crowe is guilty of an "epic fail." There is no reason to ask Marsh about his opinion of Crowe's turn in the movie musical. He has emphatically assassinated the Aussie's performance.

He faults Crowe both for being a poor singer and for so focusing on the musicality which Marsh feels, is beyond his capacity, that he fails to develop the character of Javert, the baddie of Les Mis whose obsession with Jean Valjean is the driver of much of the novel's and the musical's drama. (Javert is Ahab to Valjean's Moby Dick.)

Along the way, Marsh also has bad things to say about the history of non-professional singers being cast in lead roles in film musicals for which he feels they had no talent. He singles out Audrey Hepburn, almost all of whose vocals in the classic film musical, My Fair Lady, were replaced with the singing of a professional singer, for particular criticism.

As a general rule, I don’t think it’s necessary for actors in musicals to be professional singers. Marlon Brando and Jean Simmons did more than creditable work in the film version of Guys and Dolls, arguably the best musical ever.

And, unlike Marsh, I liked Audrey Hepburn’s pre-dubbed versions for My Fair Lady, some of which I've heard on TCM, precisely because her vocals seemed so much more in-character than did the dubbed pseudo-operatic renderings of the talented singer whose voice filled in for Hepburn's. Rex Harrison’s talk-singing also works in that film.

(Given that Harrison was performing as Henry Higgins on Broadway at roughly the same time that Bob Dylan was beginning his recording career with such tunes in his repertoire as ‘Talkin’ Bear Mountain Picnic Massacre Blues’ and ‘Talkin’ John Birch Paranoid Blues,’ Harrison and Dylan might be considered, with a little stretch of the imagination, as early progenitors of rap music. Not really, I’m just funning on this point.)

Whether Crowe is any good, musically or dramatically, in Les Miserables, is not likely something about which I'll ever have an opinion. (Loved Crowe in A Beautiful Mind and The Insider, never cared for the movie, The Gladiator and so can't say whether I cared for his performance in it or not.) But I think that there's more to inhabiting and presenting a song than having a technically theatrical voice. And sometimes it's the subtle things that convey what's going on inside of a character.

UPDATE: From a discussion of the use of dubbing in movie musicals, Ann Althouse records her "annoyance" with movies in general. While I sometimes take a pass on watching movies because sitting through a film that may or may not interest me makes me feel that I'm wasting my time, that's not always the case. What about you? Do you watch movies any more?

Sunday, January 30, 2011

Now We'll Have to See 'The Illusionist'


It had been something like three years since my last trip to a movie theater when, about a month ago, my wife and I took in The King's Speech at the Drexel Theater in Columbus. Go see that film, which exults in the gifts of marital and family love and in the healing power of friendship given and received, however unlikely our friendships may seem at their beginning.

Before the showing of The King's Speech, a trailer for The Impressionist was shown. My wife and I were intrigued by its use of conventional, rather than computer-generated, animation and the beauty and realism of its characters' movements, not to mention that the film appeared to present a story that young and old can latch onto.

This review, from Roger Ebert's new online program featuring various film reviewers, makes me want to go back to the theater soon to see The Illusionist.

Here's a link to the trailer.

Sunday, January 03, 2010

'Stranger Than Fiction'

We watched this movie starring Will Ferrell again on Saturday night. I enjoyed it and remembered that the first time our son showed it to me two years ago, I wrote post about it here. If you haven't seen the film, you might enjoy it.

(By the way, it's still the only Will Ferrell movie I've seen. The trailers and clips I've seen for his other stuff hasn't appealed to me. It would be great if he would tackle more parts like his character in Stranger Than Fiction from time to time.)

Saturday, May 02, 2009

Marvin Berry's Band Isn't Scheduled to Play Tonight

So we won't be hearing Marty McFly's guitar solo on Johnny B. Goode. But it would be great if we did!

Tonight, in our church fellowship hall, we'll be offering a Middle-of-the-Night Breakfast to the kids who attend the evening's Logan High School Prom.

It'll be fun. But if Biff shows up, I may need some help.

Sunday, December 21, 2008

My Favorite Christmas Movies

Since 2004, I've been posting my favorite Christmas movies. But there are revisions this year. Here's my 2008 list:

1. It's a Wonderful Life (of course!)
2. Bishop's Wife
3. Going My Way
4. The Bells of Saint Mary's
5. White Christmas
6. The Muppet Christmas Carol
7. A Charlie Brown Christmas (not released theatrically, but whatever)
8. Miracle on 34th. Street (the original)

Monday, January 22, 2007

This Looks Like a Great Movie!

Amazing Grace is a big-time motion picture that tells the story of William Wilberforce, the British pol whose faith in Christ led him to combat slavery in his country.

Thirty years before America's bloody Civil War, triggered by those who violently sought to dissolve the United States rather than accept the end of slavery, the sale of human beings was ended peacefully in the British Empire. Wilberforce was the main human instrument of that event.

His efforts were endorsed by a one-time slave ship captain-turned-preacher named John Newton. Newton was the composer of the most well-known hymn in the English language, Amazing Grace. The song literally expresses amazement at the grace of God, extended to humanity through Jesus Christ. Through that grace, those once blind to both sin and God's goodness see their need of forgiveness and God's willingness to grant it to us. God's grace belongs to those who turn from sin and entrust their lives to Christ. They're made right with God through Jesus' cross and they're guaranteed life forever with God because in His resurrection, Jesus destroys death and grants life to all who follow Him.

The story of William Wilberforce demonstrates how Jesus Christ empowers believers certain of eternity to stand up to the demons of this world and extend God's blessings to others. Christianity is more than an otherworldly religion. It's a vital relationship with a living God Who gives us the power to love God and love neighbor in the most practical of ways!

The movie about Wilberforce (and Newton) features an all-star cast. I'm looking forward to seeing it!

Here are study guides for the film.
Here is Wikipedia's profile of Wilberforce.
Here is Wikipedia's profile of John Newton.
Here is information on slavery as it exists in the world today and on what you and I can do about it.